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Helge Musial's point of departure for his choreographies is the understanding
that each individual with his or her body, his or her sensuality, his or her
spirit is a whole in itself, for which a unique form, an unmistakable expression
can be found. He neither strives to force the bodies into line nor to
deconstruct the de-individualized body, but searches for and emphasizes the
specific and personal on stage. He pays attention that the movements developed are interpreted individually by the dancers.
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